Film noirs additionally exhibit two iconic archetypes: the femme fatale and the male antihero. This lighting evokes a menacing, anxious presence and a fear that anything could go wrong at any moment, which is an appropriate mood for Norma’s lonely and oppressive estate. Low-key, high contrast lighting permeate Norma’s excessive and ornate mansion, and it is perhaps most dramatically used in the scene where Max reveals his past to Joe in the garage. Like most film noirs, Sunset Boulevard adopts dramatic cinematography to strengthen its downbeat, pessimistic tone. Sunset Boulevard employs many elements of film noir, but its seamless fusion of genres cements the film as one of the most beloved American films ever made. Sunset Boulevard is typically classified as a quintessential film noir, a genre used to refer to highly-stylized 1940s and 50s crime films saturated with a fatalistic, cynical mood.
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